It is also heavily implied that Aya took after her father and continued his work, which is evidenced by several items listed below. However, the remake heavily implies that this is simply her way of keeping her promise to her mother that she would "always support father," as opposed to simply her devolving into madness. In the True Ending, her true nature is revealed as she continued her father's occupation of making dolls (though she opts for patients with terminal illnesses and uses sedatives so they wouldn't feel any pain, unlike her father). Aya then offers Maria to come with her, and from there, the two form a bond. When Maria is betrayed and injured by Alfred, Aya patches her wounds up and reveals that, although she cannot live without her father's love, she would leave the mansion if she had to, but she also cannot live on her own. However, after having read her diary, she begins to understand her better. She even extends it to Maria, whom Aya initially despised, as she felt that the maid was stealing her father from her and trying to take her mother's place. When she encountered tormented spirits, she would occasionally help them, namely when she cooked ham for a hungry, little boy. Although she is definitely more mentally capable than an average person, she is still a child at heart who urgently hopes that her love will reach through to her parents and hinder the madness in the Drevis mansion, despite how far gone both Monika and Alfred Drevis (Aya's father) are.Īya also doesn't limit her compassion merely to her family. The case goes the same for her mother when she plots her revenge Aya does not believe her mother is deranged and is willing to save her from her suffering. She is also level-headed and bright, being able to solve tricky puzzles and efficiently wield a chainsaw at a tender age.ĭespite knowing what is going on in her father's basement, she chooses to feign ignorance, as she believes her father is a good person. In fact, her love and protectiveness for her family is one of the most powerful driving forces in the game this is what primarily aided her in persevering throughout the whole journey to save her father, despite witnessing numerous things that would usually drive even an adult to insanity. In bonus clip (after the player is collected all the gems), she is seen in a glass tube, but it is unknown if it is only a doll, a real body from a human patient or if it is "Aya's clone" made by him.Īya is a compassionate and kindhearted little girl who truly loves her family, and she values even things that previously belonged to one of her relatives, such as Monika Drevis' (Aya's mother) perfume.
She wears a white apron over a light blue dress, white pantyhose and black Mary Jane shoes. In the true ending, she is now an adult who has chin-length short hair, and she no longer wears a ribbon.
She wears a white ribbon in her hair, as opposed to her pink one and she has an empty expression on her face where her eyes are lidded and dark, dark gray pantyhose and red patent Mary Jane shoes. She wore a pale blue dress over a white dress shirt, white pantyhose and black Mary Jane shoes.Īs a doll in the first bad ending, Aya is seen wearing a red floor-length dress with white, ruffled cuffs, gold hems, a pink bow fixed to the right side of her chest and the dress exposes her collarbones. In flashbacks, she had shoulder-length hair that is tied in two pigtails by two blue ribbons. In the game, she is seen wearing a white apron over a dark blue dress that has puffed sleeves, a gold pendant around her neck, white cuffs, white pantyhose and black Mary Jane shoes. Aya is a beautiful pale-skinned little girl with long black hair that has square bangs hanging over her forehead with a large pink ribbon tied in the back and light blue eyes.
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